Crash landing on us! Swiss village reels from Netflix fame

Crash landing on us! Swiss village reels from Netflix fame
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Tourists visit the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
Crash landing on us! Swiss village reels from Netflix fame
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A couple of tourists seat on the famous pier of a South Korean Netflix serie in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
Crash landing on us! Swiss village reels from Netflix fame
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Tourists take photographs on the famous pier of a South Korean Netflix serie in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
Crash landing on us! Swiss village reels from Netflix fame
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Tourists take a selfie photograph on the famous pier seen in a popular South Korean series on Netflix, in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
Crash landing on us! Swiss village reels from Netflix fame
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Tourists pose for a photograph on the famous pier of a South Korean Netflix serie in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
Crash landing on us! Swiss village reels from Netflix fame
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Tourists take a selfie photograph on the famous pier of a South Korean Netflix serie behind a paying turnstile in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
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Updated 11 June 2023

Crash landing on us! Swiss village reels from Netflix fame

Crash landing on us! Swiss village reels from Netflix fame
  • The Netflix hit tells the unlikely love story of a South Korean billionaire heiress and a chivalrous North Korean army officer

ISELTWALD, Switzerland: “It’s a dream come true,” said Filipino tourist Isabel Palijon, staring in wonder at a wooden pier framed by the turquoise waters of a Swiss lake and the towering Alps behind.

And she is not alone. Ever since the hugely popular South Korean series “Crash Landing on You” aired a romantic scene shot on this very spot, the picturesque village of Iseltwald has been overrun by Asian tourists.
The Netflix hit tells the unlikely story of a South Korean billionaire heiress who accidentally paraglides into the peninsula’s demilitarised zone, crashing landing onto a chivalrous army officer serving North Korean leader Kim Jong Un.
Several flashbacks in the show take place in Switzerland, including a riveting romantic scene on Iseltwald’s wooden pier, where the male lead plays a beautiful piano melody that echoes across the water as the girl he will later fall in love with arrives by ferry from Interlaken.

“I wish someday someone would do that for me,” said Jiah Hni Gwee, a 35-year-old from Malaysia, looking longingly at the spot on the pier where the piano stood.
“It would be amazing and romantic.”
She was among dozens of tourists milling around the lakeside on a sunny day last week, as a large steamboat bearing a giant Swiss flag pulled up to the nearby dock, teeming with visitors.
The breathtaking scenery and the romantic setting have made the pier a must-see for so-called “CLOY” fans who make it to Europe.
The 16-part series started airing just as Covid-19 began and it became a must-watch in much of Asia during pandemic lockdowns.
A South Korean culture ministry survey found that CLOY was the second-most popular K-drama show among foreign viewers in 2021 after “Squid Game.”

But its success has caused an unexpected headache for Iseltwald, especially since last year when travel restrictions were lifted across much of Asia.
“The numbers have exploded,” local tourism office manager Titia Weiland told AFP.
She said it was difficult to calculate how many CLOY tourists had come but estimated that “for every local person living here, it’s been 1,000 visitors.”
She stressed that “almost everybody in Iseltwald — population 400 — is happy to have many tourists,” but acknowledged “it has been quite overwhelming.”
Last summer, up to 20 coaches began arriving each day, clogging traffic and sometimes blocking access to the village.
And locals complain that CLOY fans typically rush to the pier for a picture before moving on, often leaving a mess but little money.
In a bid to deal with the influx, the municipality last month announced only pre-booked coaches that pay for reserved parking spots will be let in.
And it installed a turnstile at the pier, which tourists can pass for a “selfie fee” of five Swiss francs ($5.50).

Sonja Hornung, the manager of the Strand Hotel that overlooks the pier, said the measures had made a difference and her restaurant gives customers a turnstile token.
“Last year, it was terrible, (but) it has gotten much better,” she said, hailing the slot system that has dramatically reduced the number of coaches.
Some tourists, however, were a bit dismayed by the turnstile — and the price.
“Oh, five francs!” Florita Lichtensteiger, a 64-year-old Filipino living in Switzerland, exclaimed as she showed up with several visiting relatives.
She grudgingly paid for them to go through, but did not follow, saying she had been here at least 10 times before. “All my guests want to see this place.”
“It’s not worth it,” said Nayeon Park, a 21-year-old from South Korea.
Weiland insisted that the payment was needed for the upkeep of the pier, which had seen the number of people walking on it skyrocket.
“It has to be safe.”
Iseltwald “is like paradise on Earth,” she said. “We want to really try to keep it that way.”


Shahid content now available on Google

Shahid content now available on Google
Updated 22 June 2023

Shahid content now available on Google

Shahid content now available on Google
  • Users will be able to explore streaming platform’s content library

DUBAI: Google has announced a new partnership with MBC streamer Shahid to feature its content on Google Search. 

Shahid content will be available under the What to Watch section on Google Search for users in the UAE.

Users will be able to explore the streaming platform’s content library from the What to Watch tab and will be taken to Shahid’s website or mobile app when they click on the Watch Now button.

The partnership is part of Shahid’s mission “to provide customers with the most convenient ways to access our vast catalog of high-quality shows and series,” said Ahmed Qandil, director of growth and brand marketing at Shahid. 

He added: “We are absolutely thrilled to be partnering with Google, as the first regional streaming service on Watch actions, to bring Shahid’s vast content library directly to our audiences in Google search results.”

More and more people use Google Search to look for shows, said Najeeb Jarrar, regional director of marketing at Google Middle East and North Africa.

Shahid is the first streaming service in the MENA region to be featured in Google Search’s What to Watch section, Jarrar added.

The feature is currently available in English and Arabic for residents in the UAE and will soon be launched in other countries across the MENA region.


TikTok and AstroLabs conclude digital advertising program for Saudi businesses

TikTok and AstroLabs conclude digital advertising program for Saudi businesses
Updated 22 June 2023

TikTok and AstroLabs conclude digital advertising program for Saudi businesses

TikTok and AstroLabs conclude digital advertising program for Saudi businesses
  • More than 100 small and medium-sized enterprises participated

DUBAI: AstroLabs and TikTok have concluded their flagship partner program supporting small and medium-sized businesses in Saudi Arabia.

The TikTok for Business Bootcamp was designed in partnership with AstroLabs to equip SMBs with the knowledge and tools necessary to effectively advertise on TikTok.

Lukas Krejca, program operations director at AstroLabs, said: “The vision behind this program was to provide SMBs in Saudi Arabia with the necessary resources to thrive in the digital era.

“We wanted to support the diversification and digital transformation efforts of local businesses, and this partnership with TikTok has allowed us to bring global best practices and cutting-edge advertising tools to the fingertips of local SMBs.”

The program consisted of three tracks — start, create, and grow — that featured live sessions by global TikTok experts who provided insights into advertising on the short-form video platform.

The sessions also included practical guidance on basic steps such as account setup and video creation.

More than 100 SMBs participated in the program. TikTok and AstroLabs also tailored an in-person session at AlUla for 42 SMEs which constitute part of the Vibes AlUla Entrepreneurship Program, a strategic initiative by the Royal Commission for AlUla.

TikTok also gave program participants ad credits that can be used on the platform.

Lisa Friedrich, head of SMB for Europe, the Middle East and Africa at TikTok, said: “Participants gained practical knowledge, received personalized guidance from TikTok experts, and enjoyed a best-in-class onboarding experience.

“We believe that empowering SMBs with the tools and expertise they need is crucial for their digital success, and we’re delighted to have AstroLabs as one of our first partners on this journey in the MENA (Middle East and North Africa) region.”


Journalism and AI will go hand in hand, Elaph chief tells Arab News

Journalism and AI will go hand in hand, Elaph chief tells Arab News
Updated 22 June 2023

Journalism and AI will go hand in hand, Elaph chief tells Arab News

Journalism and AI will go hand in hand, Elaph chief tells Arab News
  • Othman Al-Omair and Caledonia Edmond discuss how embracing technology will have an impact on the media industry and beyond

LONDON: The media industry has been urged to stop being afraid of artificial intelligence and embrace it by managers of leading Arabic news website Elaph as it prepares to launch a new AI-augmented service.

Caledonia Edmond, the head of partnerships at London-based Elaph, told Arab News that AI and journalism will go “hand in hand” in the future.

Caledonia Edmond, head of
partnerships at
Elaph.

“I think it will definitely be like a symbiotic relationship with AI and journalism,” said Edmond.

She asserted that AI would “revolutionize” both how journalists do their work, as well as the relationship between news and audience. “It will help journalists discover what is really going on in the stories (and) will be a good complement to journalism,” she added.

In May, Elaph announced a major investment into AI, making it the first Arabic publication to do so, according to the company.

By adopting AI in its strategy, Elaph’s vision is to enrich users’ news experience through customized, attractive and in-depth content.

Its AI feature Advancia.ai will serve a variety of functions within the publication, said Edmond.

“We’re going to be using it for a lot of different things,” she said. “We want to have more of an immersive experience.”

Advancia was developed as a joint venture between Elaph and Virtual Minds, which specializes in media and digital technologies. Edmond explained that the publication is not only a partner in the venture but also the “proof of concept.”

Advancia’s features include customizable news services, AI-based digital human-like news anchors, and news credibility checks, which are aimed at enabling news organizations to provide personalized, accessible, and credible content to their audiences.

It will also include a ChatGPT-like chatbot designed to provide users with insightful data, the latest updates, and a deeper understanding of specific events, explained Edmond.

For example, the chatbot will allow users to ask questions in order to learn more about current and multifaceted events such as the conflict in Ukraine or the unrest in Syria.

The bot will also be able to translate audio in real time from English to Arabic and vice versa. This feature was particularly time-consuming to develop, requiring a significant amount of research, but the results have been rewarding, said Edmond.

“AI has had a problem with translating from English to Arabic,” she said. But new innovations such as making the AI voice sound more natural and human-like have resulted in positive internal tests, indicating that the technology is just about “where it should be,” she added.

Although Elaph might be the first Arabic publication to heavily invest in AI, other global media houses like The New York Times and Financial Times have already invested in the technology.

Elaph hopes to learn from other media organizations, not copy them, said Othman Al-Omair, founder and editor-in-chief of Elaph.

Still, “nobody has the experience” as everyone “started at the same time,” he said.  

Othman Al-Omair, founder and
editor-in-chief of
Elaph.

Elaph seems ambitious to take this inspiration and build on it further. “We want to get a little bit more advanced,” said Edmond. “We want to have an AI (experience) more tailored to each individual who’s reading or watching the content.”

Despite AI’s growing adoption, concerns have been apparent, particularly in news media where AI can generate false information and images more easily than humans.

Al-Omair, however, remains confident.

He said: “Yes, there is the bad side of it, which is fake stories and fake pictures, but in the future people will get used to it and they will find the right way to use it.”

Elaph’s adoption of AI is part of a larger strategy that includes attracting younger audiences. Edmond expects the younger, tech-savvy audiences to gravitate toward the new offerings first, with the rest of the readers adopting it over a longer period of time.

The paper also plans to ramp up its social media strategy and “grab young kids’ attention,” she added.

“We’re going to reach out to the young people (on social media) and have them start creating content and then featuring it,” said Edmond.

Elaph is not only aiming to expand its reach to a younger audience, but also a wider geography.

It plans to publish in other languages such as Hebrew and Kurdish as well as cater to “minorities like Amazighs (Berbers) in Morocco,” Al-Omair said.

“This is one of the fields which (has) been neglected by media,” he added.

Elaph’s AI technology has been in development for a long spell and the time is “finally” right, said Al-Omair.

Setting aside concerns about the dangers of AI, Edmond said, AI would serve as a powerful ally for journalists, enabling them to swiftly analyze vast data sets, pinpoint inaccuracies, and verify facts, which, in turn, will lead to more accurate information that will reinforce journalistic integrity.


DJ Outlaw: Rise of hip hop in MENA means ‘bright’ future for artists

DJ Outlaw: Rise of hip hop in MENA means ‘bright’ future for artists
Updated 22 June 2023

DJ Outlaw: Rise of hip hop in MENA means ‘bright’ future for artists

DJ Outlaw: Rise of hip hop in MENA means ‘bright’ future for artists
  • Businesses backing musicians, says artist at Cannes Lions
  • SRMG’s deal with Billboard ‘huge opportunity’ for Arab talent

CANNES: Since 2003, Outlaw Productions has been a one-stop-shop for all media-related services for local rising talent, as well as big conglomerates. While their production house specializes in music production — mixing, mastering, songwriting, jingles, radio ads and theme songs — their true power lies in bolstering the business in the MENA region.

With a notable performance by Flipperachi, talks by DJ Outlaw himself, and producer Sarah Nabil, their presence at Cannes Lions International Festival of Creativity serves as a testament to the ever-growing talent in the Arab region and its global appeal.

What the company has worked to do since its inception is to create a space for upcoming artists to thrive, mainly through the production house and record label, which provides artists marketing, distribution and concert management.

A decade ago, hip hop was the untapped gem of the region, but as more artists adopted the artform, it transformed into a genre that defines Arab music today.

“Hip hop is taking over now globally, especially in the region. With my contribution to the scene when it comes to Arabic hip hop, and with the other major players that have been doing what we do, it’s getting bigger and bigger now,” he said.

Some of their latest song releases include “Nayda” by Flipperachi featuring Alaa Alhendi, “Floating” by Lil Easy, “Nadam” by Fares DehbiI, “Dgeega” by Daffy and Mohamed Aljassim, “Noor O Thulma” by Lil Easy featuring AlYoung, and others.

Outlaw started his journey in 1997 as a DJ and transitioned to hip hop. But rather than copying the sounds of urban America’s people, whose struggles birthed the genre in the 1970s, Arab artists infused their own sound and context with Arabic instrumentals and lyricism.

In the 1990s, one of the key indicators of a hip hop artist’s success was making it on TV channels such as MTV. Music theory and education was a trial-and-error practice, and little to no institutions established to ensure the music scene flourished regionally. With the rise of user-generated platforms and online streaming, music has never been more accessible.

“Now, when you say ‘I’m a hip hop artist, I’m a hip hop producer,’ people actually pay attention. Back then it was like, ‘what you're doing? Deejaying, why?’ It was (considered) a hobby. Now, the businesses and the industry are getting there, all these big entities that are coming into the region shedding more light into the scene. It’s never been better than this,” DJ outlaw said.

“We have yet to see an Arab artist make it to the top charts internationally. Today, with the launch of Billboard Arabia under the Saudi Research and Media Group (SRMG), it’s a huge opportunity for them to officially cement their place with international music players.”

It goes without saying that events like Cannes Lions are crucial platforms to elevate regional talent and build their presence globally, the DJ said.

“It doesn’t get any bigger than Cannes Lions … Going to these types of events, places to represent Bahrain and what we do as music executives in the region, representing hip hop music and the hip hop scene from the Middle East region — coming here and showcasing what we do to all these important people, (in addition to) the crowd themselves, it’s a huge opportunity,” he said.

He said fans can look forward to a number of releases by artists under Outlaw Productions.


SRMG’s Beach experience at Cannes Lions inspires audiences with insightful talks and live performances

SRMG’s Beach experience at Cannes Lions inspires audiences with insightful talks and live performances
Updated 22 June 2023

SRMG’s Beach experience at Cannes Lions inspires audiences with insightful talks and live performances

SRMG’s Beach experience at Cannes Lions inspires audiences with insightful talks and live performances
  • Speakers included SRMG CEO Jomana R. Al-Rashid, VaynerMedia’s Gary Vaynerchuck and stand-up comedian Mo Amer

DUBAI: Saudi Research and Media Group opened its SRMG Beach Experience at the 70th edition of the Cannes Lions International Festival of Creativity earlier this week, showcasing the best of MENA and international talent.

The first day included a fireside chat with Jomana R. Al-Rashid, CEO of SRMG, and Guillaume Lacroix, co-founder and CEO of Brut, on the rise of modern, multimedia networks. The four-day event ends on June 22.

Jomana R. Al-Rashid, CEO of SRMG

It also included a lively discussion on how culture travels and music crosses borders with Dana Droppo, chief brand officer at Billboard, and a panel debate on “Digital Wearables and their Impact on the Fashion Industry.”

In addition, violinist and music producer Andre Soueid explained how he became a global sensation and performed his most popular compositions. The day closed with a live performance from rising Saudi artist Mishaal.

On day two, Asharq Business with Bloomberg anchor Nadia Bsat interviewed French-Haitian performing artist Naika, who shared an exclusive preview of her documentary and highlighted the role of identity in producing successful and positive content.

Other star speakers of the day included Gary Vaynerchuck of media agency VaynerMedia, who shared his perspectives on the industry, and Palestinian-American stand-up comedian Mo Amer who spoke about authentic and positive storytelling.

Gary Vaynerchuk, Chairman of VaynerX, CEO of VaynerMedia, CEO of VeeFriends

The event also featured a panel debate on how AI would likely impact the creative industry and a panel discussion on the rise of the MENA music industry. The night came to a close with live performances from DJ Outlaw, Moayad, Jeed and Flipperarchi.

The first two days of the SRMG Beach Experience recorded 500 visitors a day and a social media reach of over 70 million globally.